![]() ![]() The guy who once directed School for Scoundrels is technically one of the most lucrative filmmakers ever to work for Warner Bros.Īs for the lowest-grossing Warner Bros. Four of them belong to David Yates, who directed the final four Harry Potter movies, while three each belong to Christopher Nolan and, of all people, Todd Phillips. titles have cleared $250 million domestically. Eight of the ten biggest movies are DC Comics adaptations, with only Barbie and the final Harry Potter installment serving as exceptions. For starters, five of the film's top ten highest-grossing domestic movies (exempting New Line Cinema co-productions) focus on the world of Batman and Gotham City (that number expands to six if one includes Suicide Squad, which included a cameo from Ben Affleck's Batman). Productions beyond just its current woes. Of course, there is a bevy of amusing and lighter observations to glean from Warner Bros. Pictures and its in-house movies will look like. One can only ponder what the future of Warner Bros. Pictures slavishly adhered to, but under its latest regime, seems to have forgotten about entirely. Not every one of these features has become a massive hit, but they have ensured Universal isn’t just leaning on one demographic or genre to carry its box office fortunes. Even in the wake of the COVID-19, Universal's in-house film division has green-lit a slew of original movies that have generated a wide range of box office results, including Ambulance, Nope, Cocaine Bear, and Oppenheimer. ![]() That shouldn't make it a surprise that Universal Pictures is quickly catching up on the heels of Warner Bros Pictures with a lifetime gross of $21.8 billion. Pictures has seemingly abandoned the level of variety that once gave it such box office dominance. Compare that to as late as 2016, when non-tentpoles like Midnight Special, The Nice Guys, War Dogs, and The Accountant (among many others) were still part of the studio’s annual slate of releases. In 2022, meanwhile, Elvis was the only non-tentpole produced by Warner Bros. both domestically and worldwide (both achievements by a considerable margin). ![]() movies have largely consisted of DC Comics blockbusters and Barbie, the latter of which did turn into the highest-grossing movie ever for Warner Bros. Pictures and its in-house productions has greatly vanished. In recent years, the variety that used to define Warner Bros. More superhero movies would have to wait, though, as most of the in-house projects of the 1980s recorded by The Numbers were light-hearted comedies like Spies Like Us, Pee Wee's Big Adventure, and the Police Academy movies. The latter title established a mold of superhero blockbuster cinema that would come to define the image of Warner Bros. ![]() However, it's still clear that the 1970s were a very lucrative era for the studio thanks to hits like The Exorcist, Blazing Saddles, and Superman. Productions on The Numbers are quite sparse until one gets to 1978, a testament to how comprehensive box office figures from before that year are generally difficult to secure. was far from the only studio producing pro-American works in this era, but these hits demonstrated how the studio was especially capable of producing in-house smashes that resonated with moviegoers on a profound level. Pictures are box office hits like Yankee Doodle Dandy and This is the Army, both of which flourished by tapping into the patriotic vibes of the country in the wake of the Pearl Harbor attacks. Among the first recorded titles on The Numbers chart for Warner Bros. made a killing in the 1930s with James Cagney vehicles like Little Caesar and musicals like Gold Diggers of 1933. Though their box office figures aren't counted in this $22.1 billion haul, Warner Bros. has been producing box office hits for nearly as long as there’s been big-screen entertainment. Turning 100 years old in 2023, Warner Bros. managed to secure this crown for many reasons, but one key element is simply that this studio has existed for a long time. ![]()
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